![]() Because you are using artificial light, your shutter speed can only go to a finite setting determined by your specific camera, generally in the 1/200 to 1/250 range. Point your camera into the sky and get the correct exposure by adjusting your ISO and F-stop. Unlike the way a natural-light photographer exposes for the face, I expose my outdoor photos for the sky. For indoor photographs, I look for ambient light that I can use to frame my couple, like lamps and sconces, or beautiful stained-glass windows. For an outdoor photograph, I look at the scenery around me and pick a spot that looks like a nice frame around my couple or that is just jaw-dropping. I love creating photographs that look like I used only natural light, when in fact I used off-camera flash. If you are just getting started, use a speedlight whenever you can, because it is generally smaller and easier to use, especially if you are working alone. Some strobes have the battery pack built in, while others have it as a seperate piece. Studio strobes are more powerful lights that are bigger and require a battery pack or can be plugged in. Be careful when choosing your speedlight, because some are not powerful enough to overpower the sun, which is very important. It can also be placed on a light stand off camera. You will need either a speedlight or a studio strobe, a trigger to send the light’s signal to your camera and a receiver.Ī speedlight is a compact flash that fits into the hotshoe on top of your camera. Now that you understand the basics of portrait lighting, you need to know what gear to add to your bag. Though it’s not always necessary, the hair light can add so much depth to your photograph, and you can create it relatively easily. This is what natural-light photographers create when they put the sun behind their subject. Your hair light separates your subject from the background. With OCF, you place a light on a stand somewhere in front of your subject. When a natural-light photographer puts the sun behind the subject’s head and exposes for the face, this is not keylight. Your keylight lights your subject’s face or the part of your subject you want the viewer’s eye to go to. It starts with an understanding of the basics of off-camera flash.Īt its most basic, there are two types of portrait lighting: the keylight and hair light. If you’ve seen or read any of my content on lighting, you know I like to keep things simple. We must master all kinds of lighting in any scenario and be able to deliver anytime, anywhere. It can, however, limit the photographer, and when we have clients paying us to deliver on the most special day of their lives, we can’t knock it out of the park only until the sun goes down. ![]() This can lead to a style of photography referred to as “bright and airy.” Popular natural-light education tells us to put the sun behind our subject and expose for the face. What Is Natural Light?įirst things first, what does being a natural-light wedding photographer actually mean? This is someone who uses only available light, like the sun, to photograph couples. Here’s how we use this amazing tool in our own luxury wedding photography business, which has taken us all around the states photographing some of the most stunning weddings. Your photos can still be bright and beautiful. Not only is off-camera flash an invaluable tool for any wedding photographer, but done right, no one will notice you used artificial light. ![]() There are some insanely stunning portfolios by self-proclaimed “natural-light wedding photographers,” but what happens when the reception rolls around and the only light available is from the tungsten uplights lining the ballroom walls? And what happens when the sun goes down and your couple’s portraits are scheduled for after dark? OCF for the Natural Light Photographer with Christine Yodsukar ![]()
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